We appreciate the technical assistance of: The Music Shoppe (Thornhill), Bill Ward, Marcus, the Percussion Centre (Fort Wayne), Tama Drums, Avedis Zildjian Cymbals, Direct Synthesis, Quantec, Fostex, Loft, Richard Ealey and Bruce Anthony.In 10 years, Rush turned from a Led Zeppelin cover band into a progressive U2 sounding project. Hfuhruhurr, Hentor the Barbarian, the Uglies, the Rory Gallagher Band and crew, Golden Earring and crew, Darrell and Werner en Allemagne, Yousuf and Estrellita Karsh (and Mary and Matthew), The B-Man, Tokyo Cro, Stuart Hall (“That’s the weather, this is the time now stay tuned for more news”), Jean Gallia et les autres proffesseurs de L’École Berlitz, et au bureau de SRO/Anthem: Ray, Val, Pegi, Sheila, Tom, and Marilyn, et toujours notre bon vielle ami– Broon. The Mike Stone Happy Hour, the Franko Polko Singers, Trevor and the Commons, Frankie’s Bar and Grill, Le Chasseur de Nuit, Bill Churchman, Barry Murphet, the International Scouting Organization of Cliff Burnstein, Peter Mensch, and Val Azzoli, the Griffin Family, NASA and the Johnson Space Centre, Roger Kneebend, Ann Uumellmahaye, Dr. Le Studio: André, Yaël, Paul Richard, Frank, Robert, Solange, Lina, Nancy, Yvon, Pierre, André et Michel et le Bouffe en Broche Les gens de Horseshoe Valley: Judy, Steve, Kevin, Kathy MacDonald, Frank ScilingoĬoncert Rigging: Southfire Rigging–Billy Collins and Tom Wendtīusheads and Truckfaces: Tom Whittaker, Pat Lynes, Bill Barlow, Mac and Candy MacLear, Harry Smith, Jack Stone, Red McBrine, Gordon Scott Guitar and Synthesizer Maintenance: Tony GeraniosĬoncert Sound: National Sound–Tom Linthicum, Fuzzy Frazer, Dave FletcherĬoncert Lighting: See Factor–The Johnson Brothers: Mike Weiss, Tom Higgins, Mark Cherry, Dave Berman, Jeffrey T. Stage Left Technician, Crew Chief, and President: Liam Birt Road Manager and Lighting Director: Howard Ungerleider PPG Synthesizer programming assisted by Jim Burgess and Paul Northfield Neil Peart – Drums, percussion & electronic percussion Geddy Lee – Bass Guitars, synthesizers, vocalsĪlex Lifeson – Electric and acoustic guitars You can’t really help it sometimes, no matter how hard you work or how fast you work there are certain things about recording that just take a long time.” “…once we got into the studio, things just took a long time. The writing and rehearsing of the album went quickly, but the recording took a long time. Despite the dark themes of the record, the band balances out influences from a lot of directions, including reggae and a harder feel of the classic hard rock sound. The album’s running theme is “pressure” and how humans act under the influence of it. Largely considered one of the band’s darkest albums, Grace Under Pressure was influenced by the growing tensions in the Cold War in the 1980s. The band produced the album themselves, with assistance from Peter Henderson, who had previously worked with Supertramp, Split Enz, Frank Zappa, and King Crimson. It was recorded at Le Studio, like so many other Rush albums. Rush originally approached producer Steve Lillywhite to record Grace Under Pressure, but he went on to work on other projects. Grace Under Pressure is the band’s 10th studio recording, released in April of 1984.
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